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Copywork
About This Passage
Three sentences in plain English do what novelists labor over: establish setting, introduce subject, render appearance, and stage the watchers. The third sentence's careful repetition — 'Henry and Henry's father and Henry's big dog' — is a small liturgy that names every witness. This is the prose of someone who has decided to waste no word.
Sitting on the steps was the shabbiest cat Henry had ever seen. It had a saggy belly, skinny legs, and fur that looked like mashed prunes. Henry and Henry's father and Henry's big dog Mudge stood in t...
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Discussion Questions
Narration Prompt
Give a concise summary, then identify the single most important sentence or moment in the chapter and explain why it matters to the book as a whole.
Discussion Questions
- Cynthia Rylant builds the entire chapter on a gap between speech and action: the father uses the language of contempt for the cat ('shabbiest,' 'disaster') while performing every gesture of welcome (opens the door, carries it in, watches it drink three bowls of milk). What is the moral structure of a man like this? Is his disguised love a virtue, a defect, or merely a style? What in the text — beyond charm — invites you to take a position?
- When Henry insists, 'It has to be a stray. It has to be,' the repetition is doing work. He is telling himself something. Augustine writes in the Confessions of how desire precedes belief — we want a thing to be true, and then we make it true. Is Henry an Augustinian creature here? What does the chapter suggest about how children, and adults, decide what to believe?
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Vocabulary Builder
Item 1
superlative of shabby — in the worst state of neglect, wear, or disrepair
Item 2
an utter ruin; here, used as exaggerated mock-condemnation rather than literal report
Item 3
a creature that has wandered from its proper place or has none — etymologically, one who has 'strayed' from a path
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Critical Thinking
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