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About This Passage
This is the narrator's most profound intervention in the novel — a passage that defines humor as 'a sense of the fitness of things,' links divine love to human love, and explains why conventional religion fails a child who has never experienced conventional parenting. The sentence architecture is remarkable: the parenthetical aside, the embedded image of 'white-robed childhood,' and the devastating final clause. It models how complex ideas can be embedded in a flowing narrative voice.
Marilla felt more embarrassed than ever. She had intended to teach Anne the childish classic, 'Now I lay me down to sleep.' But she had, as I have told you, the glimmerings of a sense of humor — which...
Full copywork activity with handwriting lines available in the complete study guide.
Discussion Questions
Narration Prompt
In your own words, tell the story of this chapter. What were the most important moments? What made them important — and how do you know?
Discussion Questions
- Anne says she would rather FEEL a prayer in a field, looking up at the sky, than recite one by a bed. Marilla thinks prayers should follow proper form. Who has a deeper understanding of what prayer is FOR — and what evidence from this chapter supports your view?
- Anne loves the catechism words 'infinite, eternal and unchangeable' because they sound 'just like a big organ playing.' She experiences religious language as MUSIC rather than meaning. What does this tell us about how Anne connects with the world — and how is it connected to the way she renamed the Avenue and the pond in earlier chapters?
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Vocabulary Builder
Item 1
Deeply troubled and disturbed in your thoughts
Item 2
Warned or scolded someone firmly but not harshly
Item 3
A series of questions and answers for teaching religion
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Critical Thinking
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