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Copywork
About This Passage
Montgomery shifts from physical catalog to character revelation in a single sentence. The passage models semicoloned parallel clauses building toward a climax, the technique of moving from surface to depth, and the ironic phrase 'stray woman-child' — simultaneously tender and sociological. The word 'ludicrously' tells us exactly how the narrator wants us to view Matthew's fear.
So far, the ordinary observer; an extraordinary observer might have seen that the chin was very pointed and pronounced; that the big eyes were full of spirit and vivacity; that the mouth was sweet-lip...
Full copywork activity with handwriting lines available in the complete study guide.
Discussion Questions
Narration Prompt
In your own words, tell the story of this chapter. What were the most important moments? What made them important — and how do you know?
Discussion Questions
- Anne says 'there was more scope for imagination' outside than in the waiting room. Throughout this chapter, Anne uses her imagination to transform everything — her dress, the landscape, even her own name. Is Anne's imagination a gift or a way of avoiding reality? What specific moments in this chapter help you decide?
- Matthew dreads speaking to women and girls, yet by the end of the drive he thinks he 'kind of liked her chatter.' What does Anne DO differently from the 'Avonlea type of well-bred little girl' that makes Matthew comfortable? Why might the most unexpected person be the one who puts him at ease?
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Vocabulary Builder
Item 1
Being stiff and unmoving, holding your body very still
Item 2
Moved sideways in a shy or sneaky way
Item 3
Unusual or odd in a way that stands out from normal
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Critical Thinking
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