Chapter 4 — Teaching Companion

Pride and Prejudice

Mountaineers · 10th–12th

This chapter's big question

Elizabeth says Jane is “honestly blind” to other people's faults. Is Jane's way of seeing people a weakness, or a strength her sister lacks?

The tension The sisters' talk is mirrored by the friends': Jane finds the Bingley sisters “very pleasing women when you converse with them” while Elizabeth “listened in silence, but was not convinced”; Bingley “could not conceive an angel more beautiful” than Miss Bennet, while Darcy grants she is pretty “but she smiled too much.”

Today's focus

Four reports of one assembly, each shaped by the temper of the person giving it, and the narrator’s own report on the Bingley sisters.

Two core ideas
  • The chapter is built in pairs (Jane and Elizabeth, Bingley and Darcy), and each pair holds a generous reader and a severe one.
  • The narrator steps in with facts the characters do not say aloud, such as money made in trade, so the reader can test each opinion against more than the speaker knows.

The shape at a glance

Alone with Elizabeth after the assembly, Jane, who had been cautious in praising Mr. Bingley before, says how much she admires him: sensible, good-humoured, lively, with happy manners and perfect breeding. Elizabeth adds that he is handsome too. Jane did not expect him to ask her to dance a second time; Elizabeth did, since Jane was five times as pretty as anyone in the room, and compliments always surprise Jane and never Elizabeth. She gives Jane leave to like him, and teases her for liking people in general and never seeing a fault in anyone. Jane answers that she would not be hasty in condemning anyone, but always says what she thinks. That, Elizabeth says, is the wonder: to have good sense and still be honestly blind to other people’s follies, and to take the good in everyone’s character, without show or purpose, and say nothing of the bad. Jane likes Bingley’s sisters too: not at first, but they are very pleasing in conversation, and Miss Bingley, who will keep her brother’s house, will make a charming neighbour. Elizabeth listens in silence, unconvinced. The narrator takes over. The sisters are fine ladies, good-humoured when pleased and agreeable when they choose, but proud and conceited: handsome, schooled in town, with twenty thousand pounds, in the habit of spending too much and keeping company with people of rank, and more mindful of their respectable northern family than of the fact that their money came from trade. Bingley inherited nearly a hundred thousand pounds from a father who meant to buy an estate and never did. Bingley means to as well, but those who know his easy temper doubt he will. He took Netherfield after looking at it for half an hour, satisfied with the owner’s praise. His sisters want him to own an estate, though they are glad to live in this one. Between Bingley and Darcy there is a steady friendship despite their opposite characters: Darcy likes Bingley’s easy, open, bending temper, and Bingley holds Darcy’s judgment in the highest opinion. Darcy is cleverer, but haughty, reserved and fastidious; Bingley is liked wherever he goes, and Darcy keeps giving offence. Their reports of the assembly fit them. Bingley never met pleasanter people or prettier girls, and Miss Bennet was an angel. Darcy saw little beauty and no fashion, felt no interest in anyone, and grants that Miss Bennet is pretty, but smiled too much. The sisters agree with him, yet admire and like her and call her a sweet girl, and their brother feels authorized by their praise to think of her as he chooses.

A way in

Begin with Jane admitting what she admires in Bingley, and ask what she held back until the two sisters were alone. Read Elizabeth’s long speech aloud twice, once as teasing and once as praise, and ask which reading its words support. Stop at “listened in silence, but was not convinced”, and find where Elizabeth’s thoughts end and the narrator’s account of the sisters begins. Read the paragraphs on money and trade slowly: they carry the chapter’s sharpest judgments. Then set Bingley’s report of the ball beside Darcy’s, and ask which sister each man sounds like. Keep the talk on what the chapter shows. It cannot tell us whether Jane is wrong about the sisters, and the weighing of her way of seeing belongs to the last written question.

Lesson plan

Retell The student retells the chapter in four movements: the sisters’ talk about Bingley and about Jane’s way of liking people; the narrator’s account of the Bingley sisters and their money; Bingley’s house and his friendship with Darcy; and the two men’s reports of the assembly, ending with Jane “established as a sweet girl”. Look for the turn from the sisters’ talk to the narrator’s own voice, and for the order of the verdicts on Jane at the end.

Imitate the author After copying, the student writes one speech in the same build, praising a friend’s quality while teasing it. Open with a short line that turns the friend’s own words back (“I know you do”). Set the common counterfeit of the quality against the real thing in a balanced pair (“common enough” against “belongs to you alone”), and hold the main verb of the long sentence back until its last words. End by turning to a test case, as Elizabeth turns to the sisters.

Debate Take sides on the last written question. One side argues Jane’s way of seeing is a weakness and gathers “honestly blind”, “too apt, you know, to like people in general”, Bingley’s half-hour at Netherfield and the narrator’s “agreeable where they chose it”. The other argues it is a strength her sister lacks and gathers “belongs to you alone”, “when you converse with them”, “not to be hasty in censuring anyone”, and Darcy, who found pleasure in no one. Each side must answer the other’s best line. Neither may claim the sisters will prove Jane wrong, since this chapter cannot show it.

Purpose Close on the shape of the chapter. It is built as a mirror: two sisters talk over the evening, then two friends do, and in each pair one reader is generous and one severe. Between the two talks the narrator steps in with what no one says aloud: the sisters’ fortune and the trade it came from, and Bingley’s half-hour choice of a house. Ask why Austen sets her own report between the two conversations, and what it lets a reader test that the speakers cannot.

Three levels

Easier Read Elizabeth’s long speech and the two men’s reports of the assembly aloud. Make a short table of four people, Jane, Elizabeth, Bingley and Darcy, and write beside each what they say about someone else. Talk through the first, third and fourth discussion questions, then answer the last written question aloud before writing it.

On level Talk through all four discussion questions in order, then write the three written questions as a thesis, the strongest objection and a revised thesis, each with lines from the chapter.

Harder Ask for one argued essay on the narrator’s paragraphs about the sisters and Bingley’s money, from “They were, in fact, very fine ladies” to Netherfield taken “immediately”. Read them as a fifth report on the evening, given by a voice no one in the chapter hears. How does the narrator’s way of judging differ from each sister’s, and does it settle anything between them? The essay should meet the objection that the narrator grants the sisters the very good humour Jane found, so Elizabeth cannot claim the narrator’s whole support.

Discussion

1. Jane says she always speaks what she thinks, and Elizabeth has never heard her speak ill of anyone. So does Jane never think ill of people, or does she notice what is wrong and stop before she judges?Character

What it asks It asks the student to hold Jane’s two claims together. Elizabeth says, “I never heard you speak ill of a human being in my life.” Jane answers, “I would wish not to be hasty in censuring anyone; but I always speak what I think.” If she says what she thinks and never speaks ill, then either she does not think ill, or she notices what is wrong and stops before it becomes a verdict. Elizabeth takes the first view: Jane is “honestly blind”. The student decides which the chapter supports. The card must not say that Jane’s trust in the Bingley sisters is mistaken, which this chapter cannot show, and must not ask whether her way of seeing is a weakness or a strength, which is the last question’s work.

One reading

She does not think it. Elizabeth, who knows her best, says so plainly: “You never see a fault in anybody.” Jane does not deny it. Her liking for the sisters is sincere and comes from her own experience of them, “when you converse with them”. Nothing is held back because nothing ill was seen.

  • You never see a fault in anybody.
  • they are very pleasing women when you converse with them.
Another reading

She stops herself. The key word is “hasty”: she does not claim to see no faults, only to be slow to condemn. Her own account of the sisters begins with one, “Certainly not, at first”, agreeing that their manners fell short of his. And the chapter opens on her having been “cautious in her praise” of Bingley. She waits in both directions; what looks like blindness is a slow verdict.

  • I would wish not to be hasty in censuring anyone;
  • “Certainly not, at first;
Listen for
  • Hears “hasty”: a word about timing, not about seeing.
  • Notices that Jane agrees the sisters’ manners were “Certainly not” equal to his “at first”, so she saw something.
  • Notices that “cautious in her praise”, in the chapter’s first sentence, makes her slow to praise as well as slow to blame.
  • Notices that Jane answers “You never see a fault in anybody” by talking about judging and speaking, not about seeing.
If stuck
  • What does Elizabeth say she has never heard Jane do?
  • What two things does Jane say about herself in reply?
  • Can you notice something wrong in a person and still not judge them for it?

A strong answer A strong response chooses between not thinking ill and holding back, and grounds the choice in Jane’s own words. One reader says she does not think ill at all: Elizabeth, who knows her best, says “You never see a fault in anybody”, and Jane’s liking for the sisters comes from talking with them. Another hears “hasty” as the key word: Jane grants that the sisters’ manners were “Certainly not” equal to his “at first”, so she saw the fault and waited before judging. The best answers notice that the Jane who was “cautious in her praise” of Bingley is slow in both directions.

2. Bingley is liked wherever he goes, yet he relies firmly on the good opinion of Darcy, who keeps giving offence. Why might that one man’s opinion count for so much with him?Character

What it asks It asks the student to read the friendship paragraph from Bingley’s side. “Between him and Darcy there was a very steady friendship, in spite of a great opposition of character.” Then: “On the strength of Darcy’s regard, Bingley had the firmest reliance, and of his judgment the highest opinion.” The paragraph closes on the contrast: “Bingley was sure of being liked wherever he appeared; Darcy was continually giving offence.” At the assembly Darcy saw a room “for none of whom he had felt the smallest interest”. The student explains why the regard of the friend who gives offence might weigh so much with the man who is liked everywhere. The card must not say what Darcy privately feels beyond what the narrator gives, must not say that Darcy will sway Bingley about Jane, and must not ask whether a generous or a severe way of seeing is better, which is the last question’s work.

One reading

Because it is rare. Bingley is liked by everyone and likes everyone back, so the liking he meets everywhere tells him little. Darcy likes few: he left the assembly having felt for no one there “the smallest interest”. Yet Bingley was “endeared to Darcy”. Regard from a man who gives it so seldom is worth more for that.

  • for none of whom he had felt the smallest interest,
  • Bingley was endeared to Darcy by the easiness, openness, and ductility of his temper,
Another reading

Because it comes joined to a judgment he trusts. The narrator puts the two in one sentence: Bingley relies on Darcy’s regard “and of his judgment the highest opinion.” Then: “In understanding, Darcy was the superior.” A man of “easiness” and “ductility”, pleased with most things, has a friend pleased with few, and he leans on that friend’s eye as well as his liking.

  • and of his judgment the highest opinion.
  • In understanding, Darcy was the superior.
Listen for
  • Hears that one sentence joins regard and judgment: Bingley trusts how much Darcy likes him and how well Darcy judges.
  • Notices “ductility”: a word for metal that can be drawn out or bent, given here as one of the reasons Darcy likes him.
  • Sets “sure of being liked wherever he appeared” beside “continually giving offence”, and asks what each man’s liking is worth.
  • Sets the pair beside Jane and Elizabeth: in each, the one who likes everyone is close to one who likes few.
If stuck
  • What does the narrator say Bingley thinks of Darcy’s regard and of his judgment?
  • How did Darcy feel about the people at the assembly?
  • Is praise worth more from someone who rarely gives it?

A strong answer A strong response gives a reason Darcy’s regard weighs so much with Bingley and argues from the friendship paragraph. One reader says it is rare: Darcy felt for no one at the assembly “the smallest interest”, so a man liked everywhere prizes the one liking that is hard to win. Another says the regard comes joined to a judgment: Bingley holds Darcy’s judgment in “the highest opinion”, and in understanding “Darcy was the superior”, so an easy temper leans on a sharper eye. The best answers stay with what the narrator says of Bingley’s trust and leave Darcy’s motives alone.

3. Darcy admits that Jane is pretty, “but she smiled too much.” Is that the same fault Elizabeth teases her for?Inference

What it asks It asks the student to set the two severe readers side by side across the chapter. Elizabeth tells Jane, “Oh, you are a great deal too apt, you know, to like people in general. You never see a fault in anybody. All the world are good and agreeable in your eyes.” Darcy, who saw at the assembly “a collection of people in whom there was little beauty and no fashion,” is reported this way: “Miss Bennet he acknowledged to be pretty; but she smiled too much.” The student decides whether the two are finding fault with the same trait. The card must not say why Darcy thinks so, since the chapter gives his opinion and nothing of its causes, and must not say he will influence Bingley about Jane.

One reading

The same fault, seen from two sides. A girl to whom “All the world are good and agreeable” will smile at all the world. Elizabeth and Darcy are the sharp readers in their pairs, and each puts a finger on the one trait that makes Jane who she is: she is too ready to be pleased. The chapter lets the reader hear the same complaint twice.

  • All the world are good and agreeable in your eyes.
  • but she smiled too much.
Another reading

Not the same. Elizabeth’s tease comes wrapped in praise: the candour she names “belongs to you alone.” Her complaint is about Jane’s judgment, and she makes it to Jane’s face, as her sister. Darcy’s is about a stranger’s manner at a ball. What Elizabeth calls “the wonder”, Darcy counts as one more thing wrong with the room.

  • belongs to you alone.
  • Miss Bennet he acknowledged to be pretty;
Listen for
  • Hears “too much” echo Elizabeth’s “a great deal too apt”: both measure Jane against an amount.
  • Hears “acknowledged”: the word of someone conceding a point, not offering praise.
  • Notices that Bingley’s “angel” and Darcy’s “smiled too much” are reports of the same girl on the same evening.
  • Asks whether a smile is a sign of judgment or only of manner.
If stuck
  • What does Elizabeth say Jane is “too apt” to do?
  • What does Darcy say about Miss Bennet?
  • If someone smiles at everyone, what might a stranger make of it?

A strong answer A strong response decides whether the two complaints are one and argues from both speeches. One reader says they are the same fault seen from two sides: a girl to whom “All the world are good and agreeable” smiles at all the world, and the sharp reader in each pair names it. Another says they differ in kind: Elizabeth’s tease is about Jane’s judgment and comes wrapped in praise that “belongs to you alone”, while Darcy’s is about a stranger’s manner at a ball. The best answers hear “too apt” in “too much” and say nothing of why Darcy thinks so.

4. Bingley already thought Jane an angel, and then his sisters’ praise made him feel “authorized” to like her. What did their praise add?Author's choice

What it asks It asks the student to weigh the chapter’s last sentence. Bingley “could not conceive an angel more beautiful” than Miss Bennet. Darcy grants she is pretty “but she smiled too much.” Then: “Mrs. Hurst and her sister allowed it to be so; but still they admired her and liked her, and pronounced her to be a sweet girl, and one whom they should not object to know more of. Miss Bennet was therefore established as a sweet girl; and their brother felt authorized by such commendation to think of her as he chose.” Earlier the narrator has shown Bingley taking Netherfield after half an hour, “satisfied with what the owner said in its praise”. The student decides what, if anything, the sisters’ praise adds for a man who had already made up his mind. The card must not say that the sisters will act against Jane, and must not say that Darcy will influence Bingley about her.

One reading

It adds the say-so he leans on. He took Netherfield after half an hour, “satisfied with what the owner said in its praise”. The easy temper that likes everyone also lets others settle things for him. His sisters’ “commendation” is one more owner’s praise, and it turns his liking into something he feels free to hold.

  • satisfied with what the owner said in its praise,
  • their brother felt authorized by such commendation to think of her as he chose.
Another reading

Nothing, and the narrator is smiling. The words “as he chose” leave the choice where it already was. The sisters first “allowed” Darcy’s point and then came round to their brother’s, and “therefore established” makes their liking sound like an official act. It adds nothing to “an angel”. The sisters may think their verdict settles the matter; the sentence lets the reader see it settled nothing.

  • Miss Bennet was therefore established as a sweet girl;
  • he could not conceive an angel more beautiful.
Listen for
  • Hears the echo of Elizabeth’s “I give you leave to like him” at the start: in each pair, someone grants the lover permission.
  • Notices “therefore”, which turns the sisters’ liking into a verdict.
  • Notices that the sisters agree with Darcy first (“allowed it to be so”) and with their brother after.
  • Weighs “authorized” against “as he chose”: one gives the sisters the power, the other hands it back to him.
If stuck
  • What did Bingley think of Miss Bennet at the assembly?
  • What did his sisters say of her, and what did that do for him?
  • When you already like someone, why might a friend’s approval still matter?

A strong answer A strong response says what, if anything, the sisters’ praise adds for Bingley and argues from the close of the chapter. One reader says it adds the say-so he leans on: he took Netherfield “satisfied with what the owner said in its praise”, so their “commendation” is one more owner’s praise. Another hears the narrator smiling: “as he chose” leaves the choice where it was, and “therefore established” makes the sisters’ liking sound like an official act that adds nothing to “an angel”. The best answers hear the echo of Elizabeth giving Jane “leave to like him” at the start.

Critical thinking

1. Elizabeth teases Jane freely, but when Jane defends Bingley’s sisters, she listens in silence and is not convinced. Why doesn’t she argue?

What it asks It asks the student to explain a silence the narrator reports but does not explain. Elizabeth has said one thing against the sisters: “Their manners are not equal to his.” Jane answers, “Certainly not, at first; but they are very pleasing women when you converse with them. Miss Bingley is to live with her brother, and keep his house; and I am much mistaken if we shall not find a very charming neighbour in her.” Then: “Elizabeth listened in silence, but was not convinced”. The narrator gives reasons for her doubt, “more quickness of observation and less pliancy of temper than her sister” and a judgment “unassailed by any attention to herself”, but none for her silence. A moment before, Elizabeth praised Jane’s gift to “say nothing of the bad”, and Jane had said, “I always speak what I think.” The student builds a thesis on why Elizabeth does not argue, after one remark against the sisters, meets the strongest objection, and revises. The card must not say Jane’s trust in the sisters is mistaken, must not take Elizabeth’s view as right because the narrator agrees with her in part, and must not ask whether Jane’s way of seeing is a weakness or a strength, which is the last question’s work.

One reading

Out of kindness. She has made her one point, and Jane has answered it warmly. To press on would spoil Jane’s hope of “a very charming neighbour”. So for a moment Elizabeth does what she has just called Jane’s gift: she says “nothing of the bad.”

  • and I am much mistaken if we shall not find a very charming neighbour in her.”
  • and say nothing of the bad,
Another reading

Because she has nothing she could put to Jane. Her doubt rests on how the sisters behaved to the whole room on one evening: their behaviour “had not been calculated to please in general”. The narrator’s other reasons are about Elizabeth herself, her quickness and her temper, not facts she could offer. A doubt that comes from her own temper is not something she can prove to Jane, so she does not argue it.

  • their behaviour at the assembly had not been calculated to please in general;
  • with more quickness of observation and less pliancy of temper than her sister,
Listen for
  • Notices that Elizabeth has already said one thing against the sisters, “Their manners are not equal to his,” so the silence comes after Jane’s answer.
  • Hears the echo: just after praising Jane for saying “nothing of the bad”, Elizabeth says nothing of it herself.
  • Notices that Jane claims to speak what she thinks, and here it is Elizabeth who does not.
  • Notices that the narrator then says aloud the doubt Elizabeth keeps back: “proud and conceited.”
If stuck
  • What has Elizabeth already said against the sisters, and how does Jane answer?
  • What reasons does the narrator give for Elizabeth not being convinced?
  • When would you keep a doubt about someone to yourself?

A strong answer A strong thesis gives a reason for Elizabeth’s silence and argues from the talk and the narrator’s sentence after it. A student might argue kindness: she has made her one point, Jane has answered it warmly, and for a moment Elizabeth says “nothing of the bad”, the gift she has just called Jane’s alone. The strongest objection is that her doubt rests on how the sisters behaved “in general” at one assembly and on her own quickness and temper, so she has no fact to set against Jane’s warm account. A good revision might hold that both are at work, and notice that the narrator at once says what Elizabeth keeps back, “proud and conceited”, so the reader hears the doubt that Jane does not.

2. The sisters remember their respectable family better than the fact that their money was “acquired by trade.” Why does the narrator remember it for them?

What it asks It asks the student to read where the narrator ends the paragraph on the sisters. It grants them good points, “not deficient in good-humour when they were pleased, nor in the power of being agreeable where they chose it; but proud and conceited.” It lists their advantages, slips in that they were “in the habit of spending more than they ought”, and concludes that they were “therefore, in every respect entitled to think well of themselves and meanly of others.” It ends: “They were of a respectable family in the north of England; a circumstance more deeply impressed on their memories than that their brother’s fortune and their own had been acquired by trade.” Neither Bennet sister says any of this. The student builds a thesis on why the narrator supplies the fact the sisters keep least in mind, meets the strongest objection, and revises. The card must not say the sisters will act against Jane, must not take Elizabeth’s view as right because the narrator agrees with her in part, and must claim no more about trade than the chapter does: only that the sisters remember it less than their family.

One reading

To puncture their pride. The paragraph builds the sisters’ case for thinking “meanly of others”, then ends on the fact their memories pass over. Placed last, after the “therefore”, it turns the list into a joke at their expense: they look down on others, and they forget where their own money came from.

  • and were, therefore, in every respect entitled to think well of themselves and meanly of others.
  • a circumstance more deeply impressed on their memories than that their brother’s fortune and their own had been acquired by trade.
Another reading

To give the reader what no speaker gives. Jane and Elizabeth judge the sisters from one evening and one talk. The narrator adds what neither says, and grants good points too. The trade is not a sneer at the money: the next paragraph gives Bingley’s inheritance as a plain fact. The fact is there so the reader can weigh the sisters with more than either Bennet sister has.

  • not deficient in good-humour when they were pleased,
  • Mr. Bingley inherited property to the amount of nearly a hundred thousand pounds from his father,
Listen for
  • Hears where the weight falls: the trade comes last in the paragraph, after the “therefore”.
  • Notices “more deeply impressed on their memories”: the narrator judges what the sisters choose to remember, not the trade itself.
  • Notices “spending more than they ought” sitting inside a list of reasons for pride.
  • Sets the sisters’ memory, kind to themselves, beside Jane’s way of seeing, kind to others.
If stuck
  • What do the sisters remember best about their family?
  • What does the narrator say they remember less?
  • Why might a writer save one fact for the end of a list?

A strong answer A strong thesis says why the narrator supplies the trade and argues from the order of the paragraph. A student might argue it punctures their pride: after the list and its “therefore”, “entitled to think well of themselves and meanly of others”, the paragraph ends on the fact their memories pass over. The strongest objection is that the narrator is giving the reader what neither Bennet sister says, granting the sisters “good-humour when they were pleased” and telling Bingley’s inheritance plainly in the next paragraph, so the point is knowledge, not a sneer. A good revision might hold that the target is the sisters’ memory, not their money: like every speaker in the chapter, they see what suits their temper, and what they see best is themselves.

3. Elizabeth says Jane is “honestly blind” to other people's faults. Is Jane's way of seeing people a weakness, or a strength her sister lacks?

What it asks It asks the chapter’s closing question. Elizabeth tells Jane, “With _your_ good sense, to be so honestly blind to the follies and nonsense of others! Affectation of candour is common enough; one meets with it everywhere. But to be candid without ostentation or design,--to take the good of everybody’s character and make it still better, and say nothing of the bad,--belongs to you alone.” Jane finds the Bingley sisters “very pleasing women when you converse with them”, while Elizabeth “listened in silence, but was not convinced”. The two friends repeat the pattern: Bingley “could not conceive an angel more beautiful” than Miss Bennet, while Darcy grants she is pretty “but she smiled too much.” The student builds a thesis on whether Jane’s way of seeing people is a weakness or a strength her sister lacks, meets the strongest objection, and revises. The card must not say that Jane’s trust in the sisters is mistaken, which this chapter cannot show, and must not rank the sisters as simply naive and clever: Elizabeth admires the candour she teases.

One reading

A weakness. Elizabeth puts “good sense” and “blind” in one breath. The chapter’s other generous reader shows what that temper can cost: Bingley takes a house on the owner’s praise and feels “authorized” by his sisters’ commendation. A way of seeing to which “All the world” is good cannot easily tell the good from the merely agreeable, and the narrator says the sisters are agreeable only “where they chose it”.

  • to be so honestly blind to the follies and nonsense of others!
  • satisfied with what the owner said in its praise,
Another reading

A strength her sister lacks. Elizabeth says so herself: candour “without ostentation or design” “belongs to you alone.” Jane’s view of the sisters comes from talking with them, “when you converse with them”, while Elizabeth’s rests on one assembly where they paid her no attention. The chapter’s severest reader, Darcy, finds pleasure in no one. Jane’s way lets her find it and still “speak what I think”.

  • to take the good of everybody’s character and make it still better, and say nothing of the bad,--belongs to you alone.
  • but they are very pleasing women when you converse with them.
Listen for
  • Hears that Elizabeth’s “honestly blind” admires as well as teases: “it is _that_ which makes the wonder.”
  • Notices the mirror: Bingley and Darcy repeat the sisters’ pattern, one generous reader and one severe.
  • Notices that the narrator grants the sisters “good-humour when they were pleased”, so neither sister is simply right.
  • Weighs whether a generous reader of people and an accurate one can be the same person.
If stuck
  • What does Elizabeth say Jane never sees?
  • What does Jane think of the Bingley sisters, and how did she come to think it?
  • Is it better to think too well of people or too badly?

A strong answer A strong thesis says whether Jane’s way of seeing is a weakness or a strength, and argues from Elizabeth’s speech and the mirrored reports. A student might argue it is a weakness: Elizabeth herself sets “good sense” beside “honestly blind”, and Bingley, the chapter’s other generous reader, takes a house on the owner’s praise and feels “authorized” by his sisters’ commendation. The strongest objection is that Elizabeth also calls Jane’s candour hers “alone”, that Jane’s view of the sisters comes from talking with them, and that the narrator grants them real good humour “when they were pleased”. A good revision might hold that Jane’s generosity and Elizabeth’s sharpness each catch what the other misses, and weigh which of the two the chapter’s mirror, Bingley’s “angel” beside Darcy’s “smiled too much”, leads a reader to trust.

Vocabulary definitions

candour Affectation of candour is common enough; one meets with it everywhere.In Austen’s day, a generous readiness to think well of others and judge them kindly, as well as plain honesty (from a Latin word for shining whiteness, which also gives candid and candidate). Elizabeth sets “Affectation of candour”, the put-on kind, against Jane’s, which is “candid without ostentation or design”. The newer sense, saying plainly what you think, is in Jane too: “I always speak what I think.” The word holds both of the chapter’s questions about her: how kind she is, and how clearly she sees.
ostentation But to be candid without ostentation or design,--to take the good of everybody’s character and make it still better, and say nothing of the bad,--belongs to you alone.A showy display, made to be noticed (the adjective is ostentatious). Elizabeth says Jane’s kindness comes “without ostentation or design”: it is not put on for an audience, and it is not aimed at getting something. The pair names the two ways candour can be faked, for show or for gain. A reader can test “design” against the narrator’s remark that the Bingley sisters could be agreeable “where they chose it”.
pliancy Elizabeth listened in silence, but was not convinced: their behaviour at the assembly had not been calculated to please in general; and with more quickness of observation and less pliancy of temper than her sister, and with a judgment, too, unassailed by any attention to herself, she was very little disposed to approve them.The quality of bending easily, in body or in mind (from the same family as pliant and pliable). Elizabeth has “less pliancy of temper than her sister”: Jane bends towards other people’s best account of themselves, while Elizabeth holds her shape. The narrator gives it as a difference, not as a fault. A few paragraphs later Bingley’s “ductility” names the same quality in the other pair.
unassailed Elizabeth listened in silence, but was not convinced: their behaviour at the assembly had not been calculated to please in general; and with more quickness of observation and less pliancy of temper than her sister, and with a judgment, too, unassailed by any attention to herself, she was very little disposed to approve them.Not attacked or shaken (un- plus assail, to attack, from the same family as assault). The narrator says Elizabeth’s judgment was “unassailed by any attention to herself”: no flattery from the sisters pressed on it. The word treats attention as a kind of attack on judgment, something a fair judge must hold out against. It is one of the narrator’s reasons for her doubt; why she keeps the doubt to herself is left to the reader.
ductility Bingley was endeared to Darcy by the easiness, openness, and ductility of his temper, though no disposition could offer a greater contrast to his own, and though with his own he never appeared dissatisfied.Of metal, the power to be drawn out or bent without breaking; of a person, a temper that is easily led or shaped (ductile is the adjective, from a Latin word for leading, as in conduct). Bingley is “endeared to Darcy” by the “ductility of his temper”. Set beside Jane’s “pliancy”, the word marks the generous reader in each pair as the one who bends. The narrator leaves it open whether that is praise: it sits in a list with “easiness” and “openness”.