Pride and Prejudice

Chapter 32 โ€” Teaching Companion

Jane Austen ยท Mountaineers 10th–12th

Coaching, not a script โ€” and not an answer key: every question here has more than one defensible answer.

This chapter's big question

Darcy keeps calling at the Parsonage and sits there for ten minutes at a time without speaking. Is his silence a sign of feeling, or only of having nothing better to do?

The tension Alone with Elizabeth, Darcy draws his chair toward her and says, “_You_ cannot have been always at Longbourn”; at her surprised look he draws it back, takes up a newspaper and asks “in a colder voice” whether she is pleased with Kent.

Today's focus

How Darcy’s visits look to Elizabeth and to Charlotte, and how much the plain signs can really tell either of them.

Two core ideas

  • Elizabeth and Charlotte read the same man through their own expectations, and the chapter gives the reader no answer key.
  • The talk of near and far shows Elizabeth judging Charlotte’s marriage by money and family ties, even as she laughs off Darcy.

The shape at a glance

The next morning Elizabeth is alone at the Parsonage, writing to Jane, while Charlotte and Maria are in the village. The bell rings; she hears no carriage, fears Lady Catherine, and puts her letter away. Mr. Darcy comes in alone, seems astonished to find her alone, and apologizes: he had understood all the ladies to be in. The talk nearly sinks into silence, and Elizabeth, curious about the hasty departure from Netherfield, remarks how suddenly they all left it last November. He answers only that Bingley and his sisters were well. When she asks whether Bingley means to return, he says Bingley will probably spend little time there, and would not be surprised if he gave the house up as soon as a buyer offered. Elizabeth, afraid of talking longer of his friend, leaves the next subject to him. He praises the house; she praises Lady Catherine’s kindness to so grateful an object. He calls Mr. Collins fortunate in his wife; she praises Charlotte’s sense, doubts that the match was the wisest thing she ever did, and grants that Charlotte seems happy and that the match is a very good one in a prudential light. Darcy says it must be agreeable to be settled so near her family; Elizabeth says it is nearly fifty miles. He calls that an easy distance, and says that to her anything beyond Longbourn would seem far. At his smile, which she fancies is about Jane and Netherfield, she blushes, and argues that near and far depend on fortune, and that the Collinses cannot afford frequent journeys. Darcy draws his chair a little towards her and says she cannot have been always at Longbourn. She looks surprised. He draws his chair back, takes up a newspaper, and asks in a colder voice whether she is pleased with Kent. A short, calm talk about the country follows, until Charlotte and Maria come in from their walk and are surprised to find the two alone. Darcy explains his mistake, sits a few minutes saying little, and leaves. Charlotte says he must be in love with Elizabeth; when Elizabeth tells of his silence, they settle on the dull time of year as the reason. From then on the cousins walk to the Parsonage almost every day, sometimes alone, sometimes together, now and then with their aunt. The Colonel plainly enjoys their company, and Elizabeth, liking him the more for it, compares him with Wickham. Darcy is harder to explain: he often sits ten minutes without speaking, and speaks as if from duty. Charlotte learns from the Colonel’s laughter that he is not usually so dull. She would like to believe it is love, and watches him look at Elizabeth, but cannot tell whether his steady gaze is admiration or absence of mind. Elizabeth laughs at her hints, and Charlotte stops pressing, sure that her friend’s dislike would vanish if she thought Darcy in her power. She sometimes plans a match with Colonel Fitzwilliam, the pleasantest man, who admires Elizabeth; but Darcy has considerable patronage in the church, and his cousin has none.

A way in

Start with one line read aloud: “It was an earnest, steadfast gaze, but she often doubted whether there were much admiration in it, and sometimes it seemed nothing but absence of mind.” Ask what the student would need to see to decide. Leave it there; the last written question asks whether Darcy’s silence is a sign of feeling or only of having nothing better to do, and the discussion builds toward it. As they read, have students mark every sign Darcy gives: the visit itself, the short answers about Bingley, the smile, the chair drawn forward and back, the newspaper and the colder voice, the ten silent minutes, the gaze. Beside each, note who sees it: Elizabeth, Charlotte, or only the reader. Keep to the chapter. No answer may say what Darcy feels or intends; the narrator never enters his mind beyond “some change of feeling”. No answer may say that Elizabeth suspects his interest; she “always laughed at the idea”. No answer may say that Charlotte is unhappy in her marriage; Elizabeth doubts its wisdom and grants that Charlotte “seems perfectly happy”. And no answer may say that Colonel Fitzwilliam means to marry Elizabeth; only Charlotte’s private schemes say so. Do not let the talk about fifty miles pass as small talk: Elizabeth blushes when she fancies Darcy supposes her “to be thinking of Jane and Netherfield”, and she turns the talk to money. Do not make Charlotte a mere matchmaker; she holds a plain view that Elizabeth’s dislike “would vanish” if Darcy were in her power. And do not stop at whether Darcy is awkward, which every page shows; ask what his behaviour could mean.

Lesson plan

Retell The student retells the chapter in order: Elizabeth alone with her letter and the ring at the door; her questions about Netherfield and Darcy’s short answers; the talk of the house and of Charlotte’s match; the fifty miles, the smile and Elizabeth’s answer about fortune; the chair drawn forward and back, the newspaper and the question about Kent; Charlotte’s return and her guess; the dull season; the cousins’ daily visits and the Colonel’s plain pleasure; Darcy’s silences and Charlotte’s watch on his gaze; and her two plans for Elizabeth. Then the student picks the sentence that matters most and says why. Look for a retelling that keeps the chair in its place, between Elizabeth’s speech about fortune and the question about Kent, and that does not tell what Darcy feels.

Imitate the author After copying, the student writes two short pieces about an invented puzzle, such as a guest who keeps coming back and hardly speaks. First, two sentences on the model of the first passage: the puzzle placed first, as the subject of the sentence; then a sentence that rules out one answer with “It could not be”, gives the reason, and ends on two pairs of opposites, the first joined by “rather than” and the second set off by a dash and joined by “not”. Second, two sentences on the model of the second passage, each granting something and then taking it back with “but”.

Debate Take sides on the last written question. One side argues that Darcy’s silence is a sign of feeling, and gathers “some change of feeling”, the chair drawn “a little towards her”, Colonel Fitzwilliam’s laughing at his “stupidity”, and “an earnest, steadfast gaze”. The other side argues that he only has nothing better to do, and gathers “All field sports were over”, “gentlemen cannot be always within doors”, “a sacrifice to propriety, not a pleasure to himself” and “nothing but absence of mind”. Each side must answer the other’s best line, and each must account for the colder voice and the question about Kent. Neither may say that Darcy is in love, and neither may use what happens later in the novel.

Purpose Close on one choice Austen makes. Elizabeth looks surprised, and the next sentence begins, “The gentleman experienced some change of feeling”. Everywhere else in the chapter he is “Mr. Darcy” or “Darcy”; at the one moment the narrator says he felt something, he becomes “The gentleman”, and the feeling is not named. Ask why Austen opens his mind by a crack here and closes it at once, and what that leaves the reader to do with the moved chair.

Easier Read aloud the scene from the fifty miles to “Are you pleased with Kent?”, then the paragraph that begins “But why Mr. Darcy came so often to the Parsonage”. Make three columns: what Darcy does, what Elizabeth makes of it, and what Charlotte makes of it. Talk through the questions on the colder voice and on Elizabeth’s account of the visit, then answer the last written question aloud before writing it.

On level Talk through all five discussion questions in order, then write both written questions as a thesis, the strongest objection and a revised thesis, each with lines from the chapter.

Harder Ask for one argued essay on how much the signs in this chapter can tell an observer, setting Elizabeth’s reading of Darcy beside Charlotte’s and the reader’s, and using the chair, the colder voice, the ten silent minutes and the steadfast gaze. The essay should meet the objection that Charlotte’s wishes and Elizabeth’s dislike each decide in advance what the signs will mean, and must not say what Darcy feels.

Discussion

  1. Elizabeth drops the subject of Bingley because she is “afraid of talking longer of his friend”. What is she afraid of?Character

    What it asks It asks the student to read Elizabeth’s own silence. She has asked about the sudden going from Netherfield and whether Bingley means to return, and Darcy ends with: “I should not be surprised,” he says, “if he were to give it up as soon as any eligible purchase offers.” Here “if any eligible purchase offers” means if a good offer to buy the house comes along. The narrator goes on: “Elizabeth made no answer. She was afraid of talking longer of his friend; and, having nothing else to say, was now determined to leave the trouble of finding a subject to him.” The student decides what she is afraid of. The card does not say that Elizabeth knows why Bingley left, or what Darcy had to do with it; the chapter gives only her questions and her fear.

    One reading

    She is afraid of her own tongue. Her remarks about Bingley have been growing sharper: first his “agreeable surprise” at being followed so soon, then the guess that he took the house for his own convenience and will keep or quit it on that rule. Darcy answers a question about coming back with talk of a sale. One more remark, and she would say plainly what she thinks of Bingley’s going, to the friend who went with him. On this reading she stops to keep her temper, and her manners, in hand.

    • It must have been a most agreeable surprise to Mr. Bingley
    • But, perhaps, Mr. Bingley did not take the house so much for the convenience of the neighbourhood as for his own

    Another reading

    She is afraid of giving her sister away. She was writing to Jane when the bell rang, and she put the letter away to keep it private. Her question about whether Bingley will ever return is already the one Jane would most want answered, and the answer is bad news. To press further would show Darcy how much Bingley’s going matters to someone at Longbourn. On this reading she goes quiet to guard Jane, not herself.

    • Elizabeth was sitting by herself the next morning, and writing to Jane,
    • I think I have understood that Mr. Bingley has not much idea of ever returning to Netherfield again?

    Listen for

    • Notices that Darcy answers a question about Bingley coming back with talk of selling the house, and that Elizabeth makes no answer.
    • Notices that the narrator gives her silence two causes, fear and “having nothing else to say”.
    • Notices that her silence hands the next subject to Darcy, and that he “took the hint”.
    • Does not say that Elizabeth knows why Bingley left, or what Darcy had to do with it.

    If stuck

    • What does Darcy say Bingley may do with Netherfield?
    • Who was Elizabeth writing to when the bell rang?
    • What does Elizabeth do after Darcy’s answer?

    A strong answer A strong response names the fear and rests it on the talk just before it. One reader hears a temper held in check: her remarks about Bingley have grown sharper, from “a most agreeable surprise” to a house kept or quit for his own convenience, and one more would say plainly what she thinks of his going. Another hears a sister guarded: she was writing to Jane, and more questions would show Darcy how much Bingley’s return matters at Longbourn. The best answers notice that the narrator gives this silence two causes, fear and “having nothing else to say”, so Elizabeth goes quiet for a reason Darcy cannot see, in a chapter that will ask what his own silences mean.

  2. Elizabeth tells Darcy that marrying Mr. Collins may not be the wisest thing Charlotte ever did. How loyal is that?Character

    What it asks It asks the student to judge Elizabeth’s answer when Darcy says, “Mr. Collins appears very fortunate in his choice of a wife.” She replies: “Yes, indeed; his friends may well rejoice in his having met with one of the very few sensible women who would have accepted him, or have made him happy if they had. My friend has an excellent understanding--though I am not certain that I consider her marrying Mr. Collins as the wisest thing she ever did. She seems perfectly happy, however; and, in a prudential light, it is certainly a very good match for her.” Here “understanding” means good sense, and “in a prudential light” means judged by caution and practical advantage. The student decides how loyal the answer is to Charlotte. The card does not say that Charlotte is unhappy: Elizabeth herself grants that she “seems perfectly happy”.

    One reading

    Loyal. Every doubt is wrapped in praise. Charlotte is one of the “very few sensible women”, has “an excellent understanding”, “seems perfectly happy”, and has made “a very good match” by one fair measure. Darcy’s compliment goes to Mr. Collins, for his luck; Elizabeth turns it to Charlotte, for her sense. Her one doubt is mild, “not certain”, the kind any honest friend might own. On this reading she defends Charlotte’s choice to a man who might look down on it, and she is honest without betraying her.

    • My friend has an excellent understanding
    • She seems perfectly happy, however;

    Another reading

    Not very. The praise has a sting in it. Charlotte is one of the very few sensible women “who would have accepted him”, which tells Darcy that most sensible women would refuse Mr. Collins. Then Elizabeth says outright that the marriage may not be wise, and calls it good only by money and caution. She says this to Darcy, a man she dislikes, about the friend whose guest she is. On this reading her wit costs Charlotte something, and the praise does not cover it.

    • one of the very few sensible women who would have accepted him
    • though I am not certain that I consider her marrying Mr. Collins as the wisest thing she ever did.

    Listen for

    • Notices that Darcy praises Mr. Collins’s luck, and Elizabeth answers with Charlotte’s sense.
    • Weighs the double edge of “one of the very few sensible women who would have accepted him”.
    • Hears “in a prudential light” as a limit: good by one measure, not by every measure.
    • Does not say that Charlotte is unhappy in her marriage.

    If stuck

    • What does Darcy say about Mr. Collins’s marriage?
    • Find two things Elizabeth says in Charlotte’s favour.
    • Find the one thing she says against the match.

    A strong answer A strong response judges how loyal the answer is and rests it on Elizabeth’s words. One reader finds loyalty: the doubt is mild and framed by praise, and it turns Darcy’s compliment from Mr. Collins’s luck to Charlotte’s sense. Another finds the wit costing Charlotte: the praise implies that sensible women would refuse him, and the doubt is spoken to a man Elizabeth dislikes. The best answers notice that Elizabeth judges her friend’s marriage “in a prudential light”, and that by the end of the chapter Charlotte is weighing Elizabeth’s future in much the same light.

  3. Elizabeth says that for people with money, distance “becomes no evil.” Which rich young man could she have in mind?Inference

    What it asks It asks the student to hear what lies under the talk about distance. Darcy says it must be agreeable for Charlotte to be settled “within so easy a distance of her own family and friends”. Elizabeth objects: “It is nearly fifty miles.” Darcy answers, “And what is fifty miles of good road? Little more than half a day’s journey. Yes, I call it a very easy distance.” He calls her view a proof of her “attachment to Hertfordshire”, and as he speaks there is “a sort of smile, which Elizabeth fancied she understood; he must be supposing her to be thinking of Jane and Netherfield, and she blushed”. Her answer includes: “Where there is fortune to make the expense of travelling unimportant, distance becomes no evil. But that is not the case _here_.” Here “fortune” means wealth, and “fancied” means imagined, perhaps wrongly. The student decides whom, besides the Collinses, the rule might touch. The card does not say what Darcy’s smile meant; the chapter gives only what Elizabeth “fancied”.

    One reading

    Darcy. He has just called fifty miles “a very easy distance”, and half a day’s journey is easy only for someone who can pay for it often. Elizabeth’s rule names exactly what makes it easy: fortune. Her stress on “_here_” sets the Collinses’ “comfortable income” against a richer man’s view of the road. On this reading she answers the man in front of her, and tells him politely that he measures distance like a rich man.

    • And what is fifty miles of good road?
    • Mr. and Mrs. Collins have a comfortable income, but not such a one as will allow of frequent journeys

    Another reading

    Bingley. She has just blushed at the thought of Jane and Netherfield, and the rule fits the friend who left it. Bingley can keep a house he hardly uses, or “give it up” when a buyer offers; for such a man Hertfordshire is no distance at all. If distance is “no evil” where there is fortune, then he stays away by choice. On this reading the talk about Charlotte carries the morning’s first subject, Bingley’s leaving, in a form Elizabeth can say aloud.

    • he must be supposing her to be thinking of Jane and Netherfield, and she blushed as she answered
    • if he were to give it up as soon as any eligible purchase offers.

    Listen for

    • Notices that Darcy measures distance in road and hours, and Elizabeth measures it in money.
    • Notices the blush, and that the narrator says Elizabeth only “fancied” she understood the smile.
    • Hears the stress on “_here_” and asks who is being set against the Collinses.
    • Does not treat the fifty miles as small talk, and does not say what Darcy’s smile meant.

    If stuck

    • How far is Hunsford from Charlotte’s family, and what does Darcy think of that distance?
    • What does Elizabeth think Darcy is thinking of when he smiles?
    • In Elizabeth’s rule, who need not mind distance?

    A strong answer A strong response names the man and rests the choice on the exchange. One reader hears Darcy answered: he calls fifty miles easy, and Elizabeth names the fortune that makes it easy. Another hears Bingley: she has just blushed at the thought of Jane and Netherfield, and the rule leaves a rich man no excuse of distance for staying away. The best answers notice that the rule reaches both men, and that the narrator marks Elizabeth’s reading of Darcy’s smile with “fancied”, as her own guess.

  4. Darcy draws his chair toward Elizabeth and says, “_You_ cannot have been always at Longbourn.” Then he draws it back and asks in a colder voice, “Are you pleased with Kent?” How do the two things he says fit together?Tone

    What it asks It asks the student to set Darcy’s two sentences side by side, on either side of the chapter’s turning point. Elizabeth has just said that Charlotte would not call herself “_near_ her family under less than _half_ the present distance.” Darcy draws his chair “a little towards her” and says, “_You_ cannot have a right to such very strong local attachment. _You_ cannot have been always at Longbourn.” Then “Elizabeth looked surprised.” The narrator goes on: “The gentleman experienced some change of feeling; he drew back his chair, took a newspaper from the table, and, glancing over it, said, in a colder voice”, and the question is “Are you pleased with Kent?” Here “local attachment” means love for one’s home place, and the underscores are the edition’s mark for italics, here showing stress. The student decides how the two fit together: whether the question about Kent leaves the remark about Longbourn behind, or carries it on. The card does not say what Darcy felt; the narrator names only “some change of feeling”.

    One reading

    They hardly fit: the second is a retreat from the first. The chair goes back, a newspaper comes between them, and the voice is “colder”. Kent is the safest kind of subject a visitor has: the country around them. What follows is a talk “calm and concise” on both sides. On this reading Darcy steps back from a personal remark into small talk, and whatever he meant by “_You_” is dropped.

    • he drew back his chair, took a newspaper from the table,
    • on either side calm and concise

    Another reading

    They fit closely: the same subject, asked from further off. They have been talking about how far from her family a married woman may be settled, and he has just told Elizabeth she cannot have “been always at Longbourn”. Now he asks whether she is pleased with the place she is in, fifty miles from home. The voice is colder, but the question is still about her and her home. On this reading the newspaper changes his manner, and the conversation keeps its course.

    • You cannot have been always at Longbourn.
    • Are you pleased with Kent?

    Listen for

    • Notices that the chair, the newspaper and the voice all move away, while the question stays about Elizabeth.
    • Weighs the stressed “_You_”: you, unlike Charlotte, or you, unlike the rest of Longbourn.
    • Notices that the narrator gives “some change of feeling” and does not say which feeling.
    • Does not say that Darcy is in love, or what he meant by moving the chair.

    If stuck

    • What does Darcy do with his chair, first and then second?
    • What does Elizabeth do between the two moves?
    • What have they been talking about just before he asks about Kent?

    A strong answer A strong response says how the two sentences fit together and rests it on the moment. One reader finds a retreat: the chair, the newspaper and the colder voice all step back into safe talk about the country. Another finds the same question asked from further off: whether Elizabeth can be content away from Longbourn. The best answers notice that this is the one moment the narrator looks inside Darcy, and even then gives only “some change of feeling”, so the reader, like Elizabeth, has only his movements to go on.

  5. When Charlotte says Darcy must be in love, Elizabeth tells her about his silence. Is that a fair account of the visit you just read?Inference

    What it asks It asks the student to set the visit the reader has just watched beside the account Charlotte hears. As soon as Darcy leaves, Charlotte says, “My dear Eliza, he must be in love with you, or he would never have called on us in this familiar way.” Here “familiar” means friendly and informal, the way a close friend calls. The narrator goes on: “But when Elizabeth told of his silence, it did not seem very likely, even to Charlotte’s wishes, to be the case”. The student decides whether “his silence” is a fair summary of the visit. The card does not say that Elizabeth hides anything; the chapter gives only the narrator’s short report of what she told.

    One reading

    Fair. The visit kept sinking toward silence. After the first polite inquiries it was “in danger of sinking into total silence”; Elizabeth had to find the first subject, and when she stopped, Darcy “took the hint” and found the next. After the talk of Kent, “calm and concise”, he sat a few minutes longer “without saying much to anybody”. On this reading silence is the true shape of the morning, and Charlotte hears it right.

    • seemed in danger of sinking into total silence.
    • after sitting a few minutes longer, without saying much to anybody, went away.

    Another reading

    Not the whole of it. The reader saw more than silence: a long exchange about fifty miles, a smile, a chair drawn forward and back, a stressed “_You_”, a colder voice. None of that reaches Charlotte in the narrator’s report, which gives only “his silence”. Elizabeth gives the account of someone who has not counted those things as signs. On this reading the reader now holds evidence that neither woman weighs, and the chapter makes the reader its third observer.

    • Mr. Darcy drew his chair a little towards her,
    • But when Elizabeth told of his silence,

    Listen for

    • Sets the narrator’s “his silence” beside what the reader saw: the fifty miles, the smile, the chair, the colder voice.
    • Notices that the narrator reports Elizabeth’s account in a few words and does not say what else she told.
    • Notices that Charlotte’s “wishes” lean one way before she hears anything.
    • Does not say that Elizabeth hid the chair on purpose, or that she suspects Darcy’s interest.

    If stuck

    • What does Charlotte think as soon as Darcy has gone?
    • What does Elizabeth tell her that makes it seem unlikely?
    • Name two things that happened during the visit that were not silence.

    A strong answer A strong response judges the account and rests it on the visit. One reader finds it fair: the talk kept sinking, Elizabeth found the first subject, and he left “without saying much to anybody”. Another finds it partial: the reader saw a smile, a chair moved forward and back, and a colder voice, and none of that reaches Charlotte in the narrator’s report. The best answers notice that from here on the reader knows more than Charlotte does, and must decide what the extra evidence is worth.

Critical thinking

  1. Charlotte is sure that Elizabeth’s dislike of Darcy “would vanish” if she thought she had him “in her power.” How well does Charlotte know her friend?

    What it asks It asks the student to test Charlotte’s judgment of Elizabeth. The narrator says: “She had once or twice suggested to Elizabeth the possibility of his being partial to her, but Elizabeth always laughed at the idea; and Mrs. Collins did not think it right to press the subject, from the danger of raising expectations which might only end in disappointment; for in her opinion it admitted not of a doubt, that all her friend’s dislike would vanish, if she could suppose him to be in her power.” Here “partial to” means fond of, and to have a man “in her power” means to know that the choice is hers to make. The student builds a thesis on how well Charlotte reads Elizabeth, meets the strongest objection, and revises. The card must not say what Darcy feels, and must not say that Charlotte is unhappy in her own marriage.

    One reading

    Well. The chapter shows the very weakness Charlotte counts on. Elizabeth likes Colonel Fitzwilliam all the more because he plainly enjoys their company, “a persuasion which of course recommended him still more”, and her pleasure in his admiration reminds her of her old favourite, Wickham. Being admired warms her. Her laughter at Charlotte’s hints proves only that she cannot yet “suppose” the thing. On this reading Charlotte knows that being liked changes how a woman sees the man who likes her, and that Elizabeth is no exception.

    • a persuasion which of course recommended him still more;
    • Elizabeth was reminded by her own satisfaction in being with him, as well as by his evident admiration,

    Another reading

    Not well. Charlotte measures by her own scale. Elizabeth calls Charlotte’s own match good only “in a prudential light”, and Charlotte plans Elizabeth’s future by that same light: the Colonel is the pleasantest man and admires her, but Darcy has “considerable patronage in the church”. Elizabeth, who doubts that Charlotte’s choice was wise, “always laughed at the idea”. On this reading Charlotte sees in her friend what she would weigh herself, and misses a friend who judges marriage by another measure.

    • Mr. Darcy had considerable patronage in the church, and his cousin could have none at all.
    • but Elizabeth always laughed at the idea;

    Listen for

    • Uses Elizabeth’s warmth toward the admiring Colonel as evidence, for one side or the other.
    • Notices that Charlotte holds back for fear of “raising expectations”, though Elizabeth only laughs.
    • Weighs the chapter’s last sentence: what tips Charlotte’s scale toward Darcy.
    • Does not say what Darcy feels, or that Charlotte is unhappy in her marriage.

    If stuck

    • What does Charlotte hint to Elizabeth, and how does Elizabeth take it?
    • Why does Elizabeth like Colonel Fitzwilliam so well?
    • In Charlotte’s plans, what does Darcy have that his cousin lacks?

    A strong answer A strong response might argue that Charlotte reads Elizabeth by her own measure, because she weighs the two cousins at last by Darcy’s “considerable patronage in the church”, while Elizabeth, who doubts the wisdom of Charlotte’s own match, “always laughed at the idea”. Key evidence includes those lines and Elizabeth’s praise of that match only “in a prudential light”. The strongest objection is that the chapter shows Elizabeth warming to a man because he enjoys her company: the Colonel’s pleasure is “a persuasion which of course recommended him still more”. A revised thesis might hold that Charlotte is right about the power of being admired and wrong about what else would move her friend: she counts on vanity and on advantage, and the chapter bears out only the first.

  2. Darcy keeps calling at the Parsonage and sits there for ten minutes at a time without speaking. Is his silence a sign of feeling, or only of having nothing better to do?

    What it asks It asks the whole question of the chapter. After the morning visit, Charlotte and Elizabeth “could at last only suppose his visit to proceed from the difficulty of finding anything to do, which was the more probable from the time of year. All field sports were over.” But the visits go on, and the narrator says that why Darcy came “it was more difficult to understand. It could not be for society, as he frequently sat there ten minutes together without opening his lips”. Colonel Fitzwilliam’s “occasionally laughing at his stupidity proved that he was generally different”. Charlotte watches him look at Elizabeth: “It was an earnest, steadfast gaze, but she often doubted whether there were much admiration in it, and sometimes it seemed nothing but absence of mind.” Here “field sports” means hunting and shooting, “society” means company, “stupidity” means dullness, and “absence of mind” means thinking of nothing in particular. The student builds a thesis on what the silence shows, meets the strongest objection, and revises. The card must not say that Darcy is in love, that Elizabeth suspects it, or that Colonel Fitzwilliam means to marry her, and must not use later chapters to settle the question.

    One reading

    A sign of feeling. Boredom does not explain the facts. A bored man would go where there is talk; Darcy keeps walking, with his cousin or alone, to a house where he hardly speaks. His cousin laughs at a dullness that is not his usual self, so something has changed. And on the one morning he found Elizabeth alone, he drew his chair toward her and then away, with “some change of feeling”. On this reading the silence is that of a man who is not at ease, and the gaze Charlotte watches is earnest, not empty.

    • Colonel Fitzwilliam’s occasionally laughing at his stupidity proved that he was generally different,
    • It was an earnest, steadfast gaze,

    Another reading

    Nothing better to do. The chapter itself offers the plainest reason: the season. “All field sports were over”, and “gentlemen cannot be always within doors”. Indoors there is only “Lady Catherine, books, and a billiard table”. When Darcy does speak, it is “a sacrifice to propriety, not a pleasure to himself”. Charlotte, who wants to find love, cannot find it, and sometimes his look seems “nothing but absence of mind”. On this reading the silence is just what it looks like: a restless man filling a morning, too reserved to pretend he is enjoying it.

    • All field sports were over.
    • and sometimes it seemed nothing but absence of mind.

    Listen for

    • Weighs the moved chair and the colder voice against the ten silent minutes.
    • Notices that Colonel Fitzwilliam’s laughter is the only evidence that Darcy is behaving unlike himself.
    • Asks whose explanation “gentlemen cannot be always within doors” is, and whether the narrator says it with a straight face.
    • Does not say that Darcy is in love, and does not use later chapters.

    If stuck

    • Why do Charlotte and Elizabeth decide he must come for want of something to do?
    • What does Colonel Fitzwilliam’s laughter tell Charlotte?
    • What two things does Charlotte think Darcy’s look might mean?

    A strong answer A strong response might argue that the silence is a sign of feeling, because boredom would not keep bringing a man who hardly talks to the same small house, because his own cousin laughs at a dullness unlike him, and because, alone with Elizabeth, he drew his chair toward her and then back with “some change of feeling”. The strongest objection is the chapter’s own explanation: the field sports are over, “gentlemen cannot be always within doors”, and Charlotte, who wishes to find love, finds a gaze that sometimes seems “nothing but absence of mind”. A revised thesis might hold that the evidence shows a change in Darcy but cannot name it: the chapter hands the reader the same signs it gives Charlotte, and lets the narrator’s word for his look stand: “disputable”.

Vocabulary definitions

prudential
She seems perfectly happy, however; and, in a prudential light, it is certainly a very good match for her. Having to do with caution and practical advantage: money, security, a settled home (related to prudent and prudence). Elizabeth says that “in a prudential light, it is certainly a very good match for her.” The phrase praises and limits at once: judged by prudence the match is good, and the words leave room for other measures, such as love or wisdom, by which it might not be. Charlotte’s plans for Elizabeth at the end of the chapter are prudential in just this sense.
propriety
a sacrifice to propriety, not a pleasure to himself. Correct, proper behaviour; doing what good manners require (from the same root as proper and appropriate). When Darcy speaks at the Parsonage, it seems “a sacrifice to propriety, not a pleasure to himself”. The narrator sets propriety against pleasure: his words are paid like a debt to manners, not given freely. The word shows how a man can do everything politeness asks and still show nothing of what he feels.
disputable
He certainly looked at her friend a great deal, but the expression of that look was disputable. Open to argument; something people could reasonably disagree about (dispute, to argue, with -able added, like debatable). The narrator says the expression of Darcy’s look at Elizabeth “was disputable”. Charlotte cannot settle whether it holds admiration or is “nothing but absence of mind”. The word names the chapter’s whole problem: the evidence is real, and its meaning is open.
Pride and Prejudice, Jane Austen. Project Gutenberg ebook 1342.