Chapter 24 — Teaching Companion

Lily's Crossing

Trailblazers · 4th–6th

This chapter's big question

Gram says letting Poppy go was “so hard,” but “worth it.” Is she right?

The tension Lily's discovery turns within a single paragraph: she smiles because she finally knows where Poppy is, then remembers “all the men who were being killed” as the army fights its way “across France.”

Today's focus

Hear what Gram says after the storm about why Poppy went away, watch the violin come out of its case, and follow Lily down to the boat, where a soaked library book sets her thinking about Poppy.

Two core ideas
  • Gram gives the book’s partings a reason: Nagymamma sent Albert and Ruth away, and Poppy went to war, so that the ones they love could be safe. Gram shows what a parting costs the one who lets go: “My son.” “It was so hard.”
  • Lily works out what she believes is Poppy’s promise, kept in code: the books he named all point to France, and her joy at solving it is cut short by fear for him, “Let Poppy be all right.”

The shape at a glance

Gram, Lily and Albert come in from the storm. Gram puts the kettle on and sends Lily for dry clothes, some of Poppy’s for Albert. Twenty minutes later they sit huddled at the table in Gram’s afghans. Lily says, “It was my fault”: she told Albert they could get a ship to Europe. Albert says he never really thought they could go; it was a dream, and he just wanted to see the ships one more time. It was not even raining when he started. He says he would not have gone without her, and that now he has lost the boat. “And we might have lost you both,” Gram says. She tells Albert that Nagymamma sent him and Ruth away to keep them safe, and his mother and father worked on their newspaper to help win the war so he would have a good life. He says he never thought of that. Then she turns to Lily: Poppy could have stayed home, but he went for her, and Gram had to let him go. “My son.” She turns her head a little. “It was so hard.” She is quiet, stern again, then touches Lily’s cheek. “But worth it.” Before Lily can answer, Gram brings out a blue case: the violin from the As Good As New Shoppe, which she will pay for in fish for two summers. Albert plays a Hungarian song, “fast, and sharp, and beautiful.” Lily remembers Poppy’s letter telling her to give Gram a hug, and she is glad Gram is there. The rain stops. Albert starts Nagymamma’s favorite waltz, but Lily remembers her library book, left in the rowboat. As she goes, Albert kisses Gram’s cheek and says, “Szeretlek.” Down in the boat, the book is soaked. Albert knows it: it is about the French Revolution. Lily sinks onto the wet seat. Madeline, The Three Musketeers, Roland: all French. She believes Poppy has been telling her where he is all along, past the censors. She smiles, then remembers the men being killed as the army fights across France: “Let Poppy be all right.”

A way in

Before reading, tell the student that everyone is home from the storm, wet but safe. Ask them to listen for every gift someone gives in this chapter, big or small. Read it aloud without stopping. Afterward, have the student name the gifts they heard, in order, and say which one cost the giver the most.

Lesson plan

Retell The student tells the chapter back in order, from dry clothes in the kitchen to Lily’s last thought in the boat. Look for Lily’s “It was my fault” and Albert’s answer, the people Gram names and why each went or was sent away, the violin and the song, and the book that sets Lily thinking. Listen for whether the student ends where Giff does, on Lily’s fear for Poppy, and not only on her smile.

Imitate the author After copying, the student writes two sentences of their own about a quiet moment after something frightening. The first starts with a time phrase and a comma, the way “And twenty minutes later,” does, and then adds pictures after commas, at least one with no verb, like “hair damp.” The second makes one plain statement about a person and adds two short pictures after commas, the way “She looked like herself” is followed by “stern” and “frowning a little.” Look for the commas, and for pictures of things seen, not named feelings.

Debate Take sides on the last written question. First list from the chapter what makes Gram right: Poppy “went for you”; Gram says it was “Worth the price to keep you safe”; Lily is safe and glad Gram is near; and Lily believes Poppy has been keeping his promise from far away. Then list what makes it too soon to say: Gram can barely say “My son” and “It was so hard”; Albert’s family is still apart; and the chapter ends on “Let Poppy be all right.” The student argues one side and you argue the other; then switch. Keep to the chapter: no claim about where Poppy really is, whether he is safe, or what “Szeretlek” means.

Purpose Close with Poppy’s letter, which Lily remembers while Albert plays: “Give Gram a hug. She loves you more than you know.” Ask what Lily has seen of that love tonight, and how Gram showed it without saying the word. Leave it open; the chapter does not say whether Lily gives the hug.

Three levels

Easier Read aloud together from “Gram turned to Lily” to “But worth it. Worth the price to keep you safe.” Retell what Gram says and does, line by line. Talk through the second discussion question, then answer the last written question aloud.

On level Talk through all four discussion questions in order, then have the student write answers to the two written questions in complete sentences, each with a reason and a line from the chapter. For the last one, have the student set Gram’s “worth it” beside the chapter’s last line.

Harder Have the student mark every time someone in the chapter stops before finishing what they say: Albert’s “. . .” about Ruth; Gram’s “. . .” about Poppy; “Before Lily could say anything”; Gram’s “if you’d only practice . . .”. Ask what Giff leaves unsaid at each one. Then have them write a paragraph on which unfinished moment tells the most about the people in the kitchen. Claim nothing about where Poppy is or what “Szeretlek” means.

Discussion

1. Lily says slowly, “It was my fault.” What difference does Albert’s answer make?Moral reasoning

What it asks It asks about the first talk at the kitchen table. Lily says, “It was my fault,” and “I told him we could get a ship to Europe.” Albert answers, “I never really thought we could go. It was a dream.” He says he “just wanted to see the ships one more time,” that “it was not even raining” when he started, and “I would not have gone without you.” Gram says only, “Oh, Lily.” The prompt does not give Albert’s words; the student has to bring them. The student weighs Albert’s answer against what Lily confessed and decides what it changes about her blame. It opens the hinge from the side of Lily’s guilt. The chapter leaves that question open, and so does the card. If a student says it clears her completely, ask what she told Albert about the ships. If a student says it changes nothing, ask what Albert says he was really doing out there. The card claims nothing about whether Albert has given up on Ruth.

One reading

It takes the blame away. Albert never believed they could sail; he calls it “a dream.” He went out only to look at the ships and think about Ruth, it was not even raining when he started, and the storm caught him. Lily’s lie did not send him to Europe, because he was never trying to go.

  • I never really thought we could go. It was a dream.
  • When I started, it was not even raining.
Another reading

It makes the blame smaller, not gone. Her lie did not send him to Europe, but she told him they could get a ship, and the ships are what he rowed out to see. A dream can still put a boy on the water. Gram does not tell Lily it was nobody’s fault; to Lily’s words she says only “Oh, Lily.”

  • I told him we could get a ship to Europe.
  • Oh, Lily
Listen for
  • Remembers what Lily confesses and what Albert says back.
  • Says what Albert’s answer changes about Lily’s blame, and gives a reason.
  • Uses “a dream,” “one more time,” “not even raining,” Lily’s line about the ship, or Gram’s “Oh, Lily.”
  • Leaves the question as open as the chapter does, and claims nothing about whether Albert has given up on Ruth.
If stuck
  • What does Lily tell Gram and Albert first?
  • What does Albert say he wanted to do out on the water?
  • What does Gram say when Lily says it was her fault?

A strong answer A strong response might say Albert’s answer takes the blame away: he says “I never really thought we could go,” calls it “a dream,” and says he went only to see the ships, before it was even raining. Another might say it makes the blame smaller but not gone: she told him they could get a ship, the ships are what drew him out, and Gram answers only “Oh, Lily,” with no word that it was nobody’s fault. Look for Albert’s words weighed against Lily’s own, and no verdict the chapter does not give.

2. Right after “It was so hard,” Gram looks stern and frowns a little. What is that frown about?Character

What it asks It asks about the middle of Gram’s speech. She has said, “And we might have lost you both,” and scraped back her chair. She tells Lily that Poppy “could have stayed right here,” and “He went for you, Lily, and I had to let him go. My son.” She turns her head a little and says, “It was so hard.” Then: “Gram didn’t say anything else for a moment. She looked like herself, stern, frowning a little. But then she put her hand on Lily’s cheek.” Only then does she say, “But worth it.” The student decides what the frown is about. It takes up the part of the hinge about what the speech costs her. If a student says it is only about Poppy, ask what Gram almost lost tonight. If a student says it is only about tonight, ask why the frown comes right after “My son.” Keep the judgment of whether it was worth it for the last written question.

One reading

It is about Poppy. Saying “My son” and “so hard” costs Gram, so she turns her head and goes quiet. The frown is how she keeps from crying in front of Lily. She looks “like herself” because that is how Gram holds a hurt in.

  • She turned her head a little.
  • Gram didn’t say anything else for a moment.
Another reading

It is about tonight. Poppy went away to keep Lily safe, and tonight Gram nearly lost her anyway. She has just said so, and scraped back her chair to say it. The fright has not left her yet, and the hand on Lily’s cheek is Gram making sure Lily is really there.

  • And we might have lost you both.
  • Gram scraped back her chair.
Listen for
  • Places the frown: after “My son” and “It was so hard,” before the hand on Lily’s cheek.
  • Says what the frown is about, and gives a reason.
  • Uses the turned head, “didn’t say anything else for a moment,” “we might have lost you both,” the scraped-back chair, or the hand on Lily’s cheek.
  • Does not yet decide whether letting Poppy go was worth it; that is the last written question.
If stuck
  • Who is Gram talking about when she says “My son”?
  • What did Gram almost lose tonight?
  • What does she do with her hand after the frown?

A strong answer A strong response might say the frown is about Poppy: saying “My son” and “It was so hard” costs her, she turns her head, she is quiet “for a moment,” and the stern face is how she keeps the hurt in. Another might say it is about tonight: Poppy went to keep Lily safe, and tonight Gram “might have lost you both”; the fright is still on her face. A thoughtful student may notice that “She looked like herself” makes the frown Gram’s everyday face, so the new thing is the hand on Lily’s cheek. Look for an answer built on where the frown falls in Gram’s speech.

3. Albert gets two or three notes into Nagymamma’s favorite waltz, and Lily remembers her library book. Why does Giff stop the song there?Author's choice

What it asks It asks about the moment the music stops. Gram has brought out the violin, saying, “I know she’d want this for you.” Albert plays a Hungarian song, and the rain stops while he plays. He says, “This one, this waltz,” “is Nagymamma’s favorite.” Then: “But before he had played more than two or three notes, Lily remembered something else.” The library book takes Lily and Albert out to the boat, and there she works out where she believes Poppy is. The student decides why Giff cuts the waltz off after two or three notes. It takes up the part of the hinge about love across a distance: Nagymamma sent Albert away and is far off, and so is Poppy. If a student says it is only to get Lily to the boat, ask whose song is cut off. If a student says it only spoils a happy moment, ask where the book leads Lily’s thoughts. Steer away from calling the violin a prize for coming home safe; Gram ties it to Nagymamma.

One reading

Giff passes from one faraway person to the next. The waltz belongs to Nagymamma, who sent Albert away to keep him safe. The song stops, the book takes Lily to the boat, and there her thoughts go to Poppy, who also went away for someone he loved.

  • is Nagymamma’s favorite.
  • Oh, Albert. The French Revolution. I know where my father is.
Another reading

The calm cannot last. The rain has just stopped and the kitchen is warm, but the song is cut off and Lily is pulled back out to the wet boat. Giff stops the music because the night is not as finished as it feels.

  • as the sound of the rain grew less and then stopped altogether
  • Then Lily was down in the boat, with four inches of water in the bottom
Listen for
  • Places the cut: two or three notes into Nagymamma’s waltz, when Lily remembers the book.
  • Says what Giff gains by stopping the song there, and gives a reason.
  • Uses the rain stopping, “Nagymamma’s favorite,” “Good grief,” the soaked book, or where the book leads Lily.
  • Treats the violin as Gram’s gift for Nagymamma’s sake, not a prize for surviving the storm.
If stuck
  • Whose favorite song is Albert starting to play?
  • Where does the library book take Lily?
  • Who is Lily thinking about by the end of the chapter?

A strong answer A strong response might say Giff stops the waltz to pass from one faraway person to the next: the song is Nagymamma’s, and the book takes Lily to the boat, where she says, “I know where my father is.” Another might say the calm cannot last: the rain has only just stopped, and the cut sends Lily back out to a boat “with four inches of water in the bottom.” A thoughtful student may say it is simply Lily, a girl who remembers a library book at the wrong moment (“Mrs. Hailey will have a fit”), and that the joke keeps the night from getting too heavy. Look for a reason tied to what the cut leads to, not only to the story needing Lily in the boat.

4. Lily says, “I know where my father is.” How much of that is knowing, and how much is hoping?Inference

What it asks It asks about the discovery. Albert looks at the dripping book and says, “It’s about the French Revolution, a million years ago.” Lily sinks onto the wet seat. “I know where my father is.” She puts it together: “Madeline and The Three Musketeers. Roland, the French hero. All in France.” She says Poppy “knew she’d tell me there wasn’t a book called The Promise,” and “He promised I’d know where he was, that he’d tell me without the censors knowing.” Albert is frowning; he “didn’t know what she was talking about.” The student sorts what Lily has worked out from what she wants to be true. It takes up the part of the hinge about Poppy’s promise from far away. The card never says Lily is right: nothing in the chapter confirms where Poppy is. If a student says it is all knowing, ask what would prove it. If a student says it is all hoping, ask how many clues point the same way.

One reading

Mostly knowing. It is not one clue but a whole set: every book Poppy named is about France, and he promised to tell her where he was without the censors knowing. The clues only make sense together.

  • Madeline and The Three Musketeers. Roland, the French hero. All in France.
  • He promised I’d know where he was, that he’d tell me without the censors knowing.
Another reading

More hoping than she sees. Nothing in the chapter tells her she is right, and Albert cannot follow her at all. Lily has dreamed of finding Poppy, and tonight she wants an answer badly. A wish can make clues look tidier than they are.

  • Albert was frowning. He didn’t know what she was talking about.
  • Lily nodded, thinking that she had dreamed the same thing, going to Poppy, finding Poppy.
Listen for
  • Names the clues Lily puts together: the French Revolution and the three books.
  • Sorts what Lily has worked out from what she hopes, and gives a reason.
  • Uses the book list, the promise about the censors, The Promise at the library, Albert’s frown, or Lily’s dream of finding Poppy.
  • Never says Lily is right about France or that Poppy is safe; the chapter does neither.
If stuck
  • What does Albert say the wet book is about?
  • What do Madeline, The Three Musketeers and Roland have in common?
  • Does anyone in the chapter tell Lily she is right?

A strong answer A strong response might say it is mostly knowing: “Madeline and The Three Musketeers. Roland, the French hero. All in France.” is a set of clues, and Poppy “promised I’d know where he was.” Another might say there is more hoping in it than she sees: Albert “didn’t know what she was talking about,” nothing in the chapter confirms it, and Lily has “dreamed the same thing, going to Poppy, finding Poppy.” A thoughtful student may notice that even if she is right, knowing where Poppy is does not tell her he is safe. Look for an answer that weighs the clues and claims nothing the chapter does not confirm.

Critical thinking

1. Gram talks about Nagymamma, then Albert’s mother and father, then Poppy. Whose choice is most like Poppy’s?

What it asks It asks about Gram’s list. After “we might have lost you both,” she asks Albert, “Don’t you know that this is what it’s all about?” She names “Nagymamma sending you and Ruth away from her so you’d be safe,” and Albert’s mother and father “publishing a newspaper, helping to win the war, so you’d have a good life.” Albert says, “I have never thought about that.” Then she turns to Lily: Poppy “could have stayed right here,” and “He went for you, Lily.” The student compares the choices and writes reasons for the one most like Poppy’s. It takes up the part of the hinge that says each parting was made to keep someone safe. If a student picks Albert’s mother and father, ask what Nagymamma gave up. If a student picks Nagymamma, ask who in the list worked to help win the war, the way Poppy went to the war. A student who says Gram herself is most like Nagymamma has found something real; ask them to show it.

One reading

Albert’s mother and father. Their part was helping to win the war, for their son’s sake. Poppy did the same kind of thing: he could have stayed home, and he went to the war for Lily.

  • And your parents publishing a newspaper, helping to win the war, so you’d have a good life?
  • And Poppy, who could have stayed right here
Another reading

Nagymamma. She gave up having Albert and Ruth near her so they would be safe, and Poppy gave up being near Lily for her sake. Each of them chose to be far away from someone they loved, for that person’s good.

  • Nagymamma sending you and Ruth away from her so you’d be safe?
  • He went for you, Lily, and I had to let him go.
Listen for
  • Names the people in Gram’s list and what each one did.
  • Chooses the one most like Poppy, and gives at least one reason from the chapter.
  • Uses “away from her so you’d be safe,” “helping to win the war,” “could have stayed right here,” or “to keep you safe.”
  • Writes in complete sentences, and saves whether it was worth it for the last question.
If stuck
  • What did Nagymamma do, and why?
  • What did Albert’s mother and father do, and why?
  • What could Poppy have done instead of going?

A strong answer A strong response might choose Albert’s mother and father: they kept “helping to win the war, so you’d have a good life,” and Poppy, who “could have stayed right here,” went to the war for Lily. Another might choose Nagymamma: she sent Albert and Ruth “away from her so you’d be safe,” and Gram says Poppy’s going was “to keep you safe” too. A thoughtful student may notice that Gram, who “had to let him go,” is the one most like Nagymamma. Look for a choice backed by what Gram says each person did and why.

2. Gram says letting Poppy go was “so hard,” but “worth it.” Is she right?

What it asks It asks the whole question of the chapter. Gram says Poppy “could have stayed right here,” that “He went for you, Lily, and I had to let him go,” and that it was “so hard.” Then, with her hand on Lily’s cheek: “But worth it. Worth the price to keep you safe.” Later, Lily is “glad Gram was there in the kitchen instead of far away like Nagymamma.” Down in the boat she works out what she believes is Poppy’s promise, kept in code: “He’s been trying to tell me all these weeks.” Then she remembers “all the men who were being killed,” and the chapter ends, “Let Poppy be all right, she thought.” The student judges whether Gram is right, gives reasons, and answers the other side. If a student says yes, ask what the last line of the chapter adds. If a student says no, ask what Gram says the price bought. The card claims nothing about where Poppy is, whether he is safe, or what “Szeretlek” means.

One reading

She is right. Lily is safe at home, and Gram says that was the point. If Lily has read the books right, Poppy has kept caring for her from far away, finding a way past the censors. Going did not mean he stopped being her father.

  • But worth it. Worth the price to keep you safe.
  • He’s been trying to tell me all these weeks.
Another reading

It is too soon to say. The price is not paid yet. Gram can hardly say “My son,” and the chapter ends with Lily afraid that men are being killed where she thinks Poppy is. Nobody can call a price worth it until they know what it cost.

  • My son.
  • Let Poppy be all right, she thought.
Listen for
  • Takes a position on whether Gram is right, and gives at least two reasons from the chapter.
  • Answers the other side: someone who judges it the other way.
  • Uses “He went for you,” “so hard,” “Worth the price to keep you safe,” Lily’s gladness that Gram is near, the promise Lily works out, or the last line.
  • Writes in complete sentences, and never says Lily is right about France or that Poppy is safe.
If stuck
  • Why does Gram say Poppy went?
  • What does it cost Gram to say it?
  • How does Lily feel at the very end of the chapter?

A strong answer A strong response takes a position and answers the other side. A student might argue Gram is right: she says it was “Worth the price to keep you safe,” Lily is safe in the kitchen, and she believes Poppy has been caring for her from far away, “trying to tell me all these weeks.” Another might argue it is too soon to say: Gram can barely say “My son,” and the chapter ends on “Let Poppy be all right,” because the price may not be finished. A thoughtful student may say Gram can be right about why Poppy went and still not know yet what it will cost. Look for Gram’s words set beside the last line, and no claim that Poppy is safe or that Lily is right about where he is.