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1984
Mountaineers · 10th–12th
The sweetness of the air and the greenness of the leaves daunted him. Already on the walk from the station the May sunshine had made him feel dirty and etiolated, a creature of indoors, with the sooty dust of London in the pores of his skin. It occurred to him that till now she had probably never seen him in broad daylight in the open.
An old, close-bitten pasture, with a footpath wandering across it and a molehill here and there. In the ragged hedge on the opposite side the boughs of the elm trees swayed just perceptibly in the breeze, and their leaves stirred faintly in dense masses like women’s hair. Surely somewhere nearby, but out of sight, there must be a stream with green pools where dace were swimming?
The field in the second passage is the one from Winston’s dream, and the stream he guesses is really there. Yet he calls it “the Golden Country – almost.” What stands between this field and the one in his dream?
Narration Tell back the afternoon, from the bluebells by the footpath, through the clearing and the edge of the wood, to Julia asleep and what Winston thinks as he watches her.
1. Winston starts picking bluebells partly to pass the time, and partly as a gift for her. When a foot cracks a twig behind him, he keeps picking, because “To look round was to show guilt.” By the time the flowers fall from his hands, what are they for?Inference
2. Julia blames her sash for what Winston thought of her: “It’s this bloody thing that does it.” Once it is off, her waist seems softer to him. What was the sash doing to him?Character
3. Winston starts by telling Julia the worst about himself, even that he once thought of killing her. Then her chocolate stirs the memory of something he did and would undo if he could. He pushes it away. Why can he say the worst out loud but not look at this?Character
4. Winston watches the thrush “with a sort of vague reverence.” Then he wonders whether a hidden microphone is picking up its song. Why does his mind go there, of all moments?Inference
5. Winston cries out that he hates purity and goodness, and wants everyone “corrupt to the bones.” Julia answers, “Well then, I ought to suit you, dear.” How seriously is she taking him?Tone
Make a Connection Winston thinks that in the old days love and desire were simple. Think of a love story from another time, in a book, a play or a song. Was love as simple there as Winston thinks it was?
Already on the walk from the station the May sunshine had made him feel dirty and etiolated, a creature of indoors, with the sooty dust of London in the pores of his skin.
In the ragged hedge on the opposite side the boughs of the elm trees swayed just perceptibly in the breeze, and their leaves stirred faintly in dense masses like women’s hair.
It spread out its wings, fitted them carefully into place again, ducked its head for a moment, as though making a sort of obeisance to the sun, and then began to pour forth a torrent of song.
Who knew, perhaps the Party was rotten under the surface, its cult of strenuousness and self-denial simply a sham concealing iniquity.
Not merely the love of one person, but the animal instinct, the simple undifferentiated desire: that was the force that would tear the Party to pieces.
1. Julia’s swearing seems to Winston “natural and healthy.” Yet her open hatred of the Party makes him uneasy, even in the wood. Why would her hatred unsettle a man who hates the Party too?
2. Winston ends the afternoon by calling what happened “a political act.” Is he right, or does that label miss what he felt under the hazel trees?