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Copywork
About This Passage
This extended passage is the chapter's climax — A.J.'s impassioned argument to protect Miss Daisy concentrates the book's central dramatic irony into its most explicit form. A.J. articulates precisely what he believes (keeping Miss Daisy prevents learning) while demonstrating the opposite (his persuasive rhetoric, logical structure, and social leadership all evidence learning). The passage is also a study in persuasive technique — rhetorical questions, emotional appeal, escalating stakes. Satisfies criteria B (rhetorical structure with questions and persuasive logic), C (concentrated dramatic irony), D (loyalty versus truth, self-deception, the nature of education), and E (persuasive speech patterns and dialogue management).
don't you see how good we have it if we tell principal klutz how dumb miss daisy is he will fire her and to replace her with a real teacher a real teacher who knows reading and writing and arithmetic ...
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Discussion Questions
Narration Prompt
Summarize this chapter, then explain what you think the author most wanted the reader to notice or feel. What techniques did the author use?
Discussion Questions
- A.J. delivers an impassioned speech arguing that keeping Miss Daisy protects the class from learning. Analyze this speech as an example of dramatic irony — at what specific points does A.J.'s argument inadvertently prove the opposite of what he intends, and how does Gutman construct the gap between A.J.'s meaning and the reader's understanding?
- The kids apply the word 'imposter' to Miss Daisy — someone who is not what she claims to be. But who in this chapter is actually operating under a false understanding of reality: Miss Daisy, the kids, or both? Articulate the strongest case for each reading.
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Vocabulary Builder
Item 1
One who assumes false identity to deceive; the kids apply this term to Miss Daisy without recognizing its ironic layers
Item 2
Performs a false version of reality; the chapter's central question is WHO is truly pretending
Item 3
Taken captive by force; A.J.'s most dramatic theory, logically dismantled by Michael's observation
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Critical Thinking
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