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Copywork
About This Passage
Selected because Tedd Arnold ends his early-reader book by borrowing the closing line of Casablanca — "the beginning of a beautiful friendship" — and applying it to a boy and a fly. The borrowing makes the simple phrase carry the weight of cinematic history while also being immediately accessible to a child reader. The mechanical lesson is in the punctuation of the brief declarative sentences; the rhetorical lesson is in how a familiar adult phrase can be repurposed to give a children's story unexpected emotional depth.
"This fly is a pet!" They let Fly Guy in the show. He even won an award. And so began a beautiful friendship.
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Discussion Questions
Narration Prompt
Summarize this chapter, then explain what you think the author most wanted the reader to notice or feel. What techniques did the author use?
Discussion Questions
- Tedd Arnold structures the chapter as a series of small failures before the final breakthrough. Each time Fly Guy proves something new, the judges acknowledge it but refuse to change their conclusion. Why does Arnold dramatize this kind of resistance rather than allowing the judges to be convinced quickly?
- The judges' pattern is to accept evidence locally ("flies can do tricks") while refusing the conclusion the evidence supports ("but flies can't be pets"). Argue what this pattern reveals about how committed beliefs work and why category protection is so resistant to single pieces of contrary evidence.
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Vocabulary Builder
Item 1
Refusal to accept or comply with something; the judges' pattern when faced with each new piece of evidence about Fly Guy.
Item 2
The cognitive tendency to defend an existing mental grouping against contrary evidence; what the judges practice when they keep finding new reasons to say flies can't be pets.
Item 3
Continued effort despite difficulty or opposition; Buzz's central virtue at the pet show.
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Critical Thinking
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